This is a sample page to demonstrate how Staticman can be used to integrate user-generated content into a static site. When a movie review is submitted, the data is sent to the Staticman API via Ajax, which will push it to the GitHub repository and cause a regeneration of the Jekyll site.
La cité de la peur
Review by: Plop
Rating: star star star star star
#it rocks
Timeout
Review by: vincent
Rating: star star star star
Cool movie, good action. Keeps you thoughful for a few days.
good movie
Review by: herman
Rating: star star star
not bad
Inception
Review by: Luis Ribeiro
Rating: star star star star star
Not bad.
Spotlight
Review by: Mario Ganni
Rating: star star star star star
The film has real insights to offer: the cast powerfully convey the journalists’ horror at realising the abuse stretches back decades or even centuries and also how abuse is as much about power as sex and that homosexuality is beside the point: the abusers have evolved the choice of boy victims because boys are reticent, more likely to swallow their shame and not speak out. A powerful story.
The Last Samurai
Review by: Jane Richards
Rating: star star star star star
Edward Zwick’s “The Last Samurai” is about two warriors whose cultures make them aliens, but whose values make them comrades. The battle scenes are stirring and elegantly mounted, but they are less about who wins than about what can be proven by dying. Beautifully designed, intelligently written, acted with conviction, it’s an uncommonly thoughtful epic. Its power is compromised only by an ending that sheepishly backs away from what the film is really about.
Kung Fu Panda 3
Review by: Marko
Rating: star star star star star
Verry funny animated movie
Suicide Squad
Review by: Joker
Rating: star star star
Where does he get those wonderful toys?
The Little Prince
Review by: eyecool
Rating: star star star star star
It was really good.
Finding Nemo
Review by: Eduardo
Rating: star star
It was okay.
Inception
Review by: Joe Blogs
Rating: star star star
If you know nothing else about Inception, at least know this: it is not a trick. It is ingenious but not crafty, knotty but not duplicitous. It has neither Memento’s method conceit nor the smoke and mirrors of The Prestige. To contrast it with the latter, in particular (fine film though that is), is to appreciate the difference between stage-magic and a real miracle.